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Thorax
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Thorax
Consisting
of a valve mic preamplifier, switchable passive EQ and
an optical compressor, Thorax is a channel strip in
a class of its own.
The all-new
Thorax is more than just another channel strip with
nice specs. It has some unique Sebatron circuitry and
features that will enable you to create new tonal possibilities.
The preamplifier section is an expansion of the VMP
series circuit with more possibilities in the switchable
passive EQ and more valve warmth available via the Colour
control. It can be driven ultra clean for transparency
or pushed through warm valve tones and into sweet distortion.
The E.Q network
operates at the extremities of the audio bandwidth.
Upper frequencies can easily be boosted with the
air selector without sounding harsh or false.
This happens before any active circuitry so noise is
kept to a minimum. Similarly, frequencies in the lower
spectrum are easily contoured by the deep
control which operates from the 300hz region downwards.
The EQ network can be hard bypassed and is also interactive
with the pad switch to attain an even
wider range of colours and textures, many of which are
unavailable on other units.
Thoraxs compressor stage uses a unique Sebatron-designed
optically driven gain reduction circuit that gives fast,
tight control over the dynamics of a signal with a minimum
of colouration. It has controls for Threshold, Ratio,
Attack and Release, with the attack/release factor switchable
over three ranges. Makeup gain is provided by a valve
stage with a three position Drive control.
This audio
path is complemented by a large, easy to read VU meter
that can be switched to indicate preamp or main output
level or compressor gain reduction.
Thorax is available
NOW!
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The VMP
Series of Preamplifiers (2000, 2000VU, 4000)
The VMP Series
of preamplifiers from Sebatron is aimed at filling in
the gap between transparent amplification
and coloured or character preamplifiers.
They can be driven lightly for pure, almost transparent
sounds with just an edge of true valve tone or slammed
into thick distortion, with a spectrum of colours available
in between.
Each VMP channel consists of:
-: a transformer balanced microphone input for reliability,
ease of use and sound quality
-: individual phantom power with LED indication
-: DI for direct instrument or line input
-: passive switchable EQ for the extreme high and low
registers - very practical when tracking
-: a 12AT7 vacuum tube run at a proper high tension
providing all of the active gain
-: switchable PAD control which varies negative feedback
around the valve, controlling colour
-: solid state, discrete Class A output stage, powered
by a high voltage rail for superior headroom and transient
response
-: switchable output phase
-: XLR and TRS balanced outputs
All units are
housed in steel chassis with quality hardware.
Everything is hand built using single sided circuit
boards and discrete components for easy servicing. We
refuse to use integrated circuits because of their lack
of character and other limitations they impose on a
circuit. It is easy to produce purity from a chip, but
it is nigh on impossible to squeeze out soulful tones.
A properly tuned valve circuit (i.e. not a starved tube
used as an effect) subtly compresses and harmonically
enhances the signal in an organic and musical fashion,
providing the warmth and punch associated with tape
that is missing from purely digital systems. Sebatron
VMP preamps have also proven popular as line level devices
for adding organic richness to synths, amp simulators,
stem mixes or even over a complete mix.
The legendary
preamplifiers of the past are known for their clarity
and warmth and the ability to stack well across multiple
tracks and still sound good. Many of the originals now
show their age and the limitations of the technology
of the time, often having higher noise floors than modern
gear or other quirks that were once buried by the limitations
of tape but are now revealed by high resolution digital
recording, but the vintage equipment market is thriving
with people selling gear and even parts for extreme
prices. There is also a large portion of the industry
based around reproducing these classics with varying
degrees of quality and originality, often at ridiculous
prices. We havent copied anyone else, a Sebatron
VMP is not directly comparable with any other preamp,
past or present. Sebatron designed the VMP Series to
be in the same sonic class as the classics, with many
happy customers writing to us to confirm that their
VMP holds it head high among their racks of vintage
and ultra high end gear. A pure and simple design philosophy
based around a minimal signal path and a dedication
to getting the best from standard rather than esoteric
parts means that we can offer top end sonics at a mid
range price.
Many high end
preamplifiers and most modern mixers, including many
low end models, boast very low noise, high gain and
a very clean and transparent sound. While these characteristics
are desirable to have in your arsenal, an entire mix
done with this equipment often sounds very flat, uninspired
and downright boring, especially when recorded straight
to digital and then mixed in the box. A Sebatron VMP
will complement and add to this style of preamp, giving
your sounds that little kick in the pants required to
lift them above the ordinary, while still stacking up
well across multiple tracks.
There is also
a wide range of preamps available that have distinct
and unique character, but they are often plagued by
a high noise floor, lack of bandwidth, poor transient
response and sometimes too many features
that may enhance a sound, but to little
useful effect. While these units can be absolutely brilliant
on one or two tracks in a mix, they are not very useful
for the majority of tracking, muddying the sound and
getting in the way. They can be like a rich dessert,
the finishing touch on top of a big meal, but you dont
want to live off it... A Sebatron VMP can be pushed
into rich tones that ooze creamy warmth, distinctly
different to anything else out there, while still keeping
noise and other distractions to a minimum. It will add
some unique and useful colours to your sound palette.
The VMP Series feature identical circuitry across all
models, from the dual channel VMP-2000 up to the
quad channel VMP-4000e. The VMP-1000e and VMP-2000e
are also available with large, clear VU meters for signal
level indication and keeping the extras amused while
you get on with the mix.
Get yourself
one today and see what it can do for your sound.
The VMP Series
consists of Five models:
The Single Channel VMP-1000e and VMP-1000eVU
The Dual Channel VMP-2000e and VMP-2000eVU
The Quad Channel VMP-4000e
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vmp-2000
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vmp-2000VU
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vmp-4000
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GTA
are proud to announce a new pro audio dealership for Sebatron
in Australia ... Sebatron
hand makes some of the finest vacuum valve audio equipment money
can buy.
GTA offers the full range of Sebatron products.
Testimonials
/ Users:
"Sebatron,
I did a bass track this evening and I was floored! These pres
are awesome! I mean it! I have a pair of 9098's and I used to
have an MCI 600 console, I have used API's and Neve 1272's And
I have never heard anything like these. I ran the bass through
one channel and then patched that through a Manley EL OP ...
Bass tone to drool for! I am an advocate.
... These things blow API's off the planet! As a matter of fact
I think they smoke my Neve 9098's! And those retail for $2K
each!"
Kurt Foster, www.recording.org (Portland, USA)
"I
use the mic pres every time i track, they sound great.currently
working on two records for RCA and one for Curb, the RCA acts
are country, the Curb act is pop........."
Monty Powell (Nashville, USA)
"The
vmp is sounding great! I am using it in more situations everyday
and have not failed to hear an improvement. The didge session
was fantastic. I really liked the way the dynamics were handled.
There were some loud screeches as well as the drone sound which
were smoothed out nicely.Overall the unit sounds fantastic.
Every application so far has benefited from being routed through
the VMP-4000e. The only problem now is that I feel I need to
upgrade my microphones to take advantage of the great sounding
preamp. Thanks heaps mate for a fantastic bit of gear.
It's the best bunch of dollars that I've spent in ages."
Amauri & Carolyn Amat (Sydney, Aust.)
"Since
my acquisition of the Sebatron Mic Pre and EQ/Comp, my clients
and I have noticed a drastic improvement in sound quality.
Digital harshness is really no longer an issue as the Sebatron
units warm and fatten up any signal that pass thru them on their
way to the hard disk.
The
level of detail is astounding and the ability to really drive
the units into a pleasant overdrive is a plus as well.
Excellent choices at an extremely workable price."
Manny Grossman (New York, USA)
"Me
and 'Blondie' are gettin' on just fine....only been usin' em
for Bass (D.I) thus far but she still impresses......"
Lindsey Gravina (Melb, Aust.)
"Well
,what can I say? This is easily the best sounding (and most
versatile) pre- amp I've heard in a long time."
Ian Williams (Texas, USA)
"I've
just started recording with the pre amp and I'm getting some
excellent results on drum kit and acoustic guitar. The warmth
of the output is
excellent and I'm enjoying the richness of the sound."
Dominic Mallon (Adelaide, Aust.)
"My
other mic pre's include D.W. Fearn, Neve 1073, Crane Song Flamingo
& Telefunken V72's and the Sebatron vmp-4000E proudly
stacks up amongst this company."
Wayne Gardner (Producer/ Engineer / Studio Owner, GTA Studio
Sydney Australia)
Click
on item for further specifications
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